The following chant, one of a series recorded in central Morocco in the summer of 1967, exemplifies a type of oral tradition found among the Imazighen, the Berbers of that region. It is a socio-religious poem, called a tanšhat: (plural tinšhadri). The poet-performer is an anšhad (pl. inšhadn), although like other musical performers he is addressed as ‘Shaykh’. The genre, known by other names in other regions, is characterized by its form and language, its composition and execution, its subject-matter and the poet's attitude toward it, and finally by its role in the life of the community.